DANIELA
TOKASHIKI
KUNIGAMI

¡Bienvenid@!

This is intended as a dynamic space to archive/share self-initiated projects. Site is updated every so and so.

NEW

︎ ENJOY
Browse through my favorite stopmotions. 


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DESIGN PROJECTS
 Material economies
       D.1  Moss ritual2021
       D.2 Waste Care2021
       D.3 Recyclebar2021
       D.4 The Better Bread2022
       D.5 Crafts of Resistance2023
   
 User Research / Experience design
        D.6 Exhaust the Benches2022
        D.7 The Traffic Light as a Destination2021
        D.8 C.C.C Cuisine2022
        D.9 Building Dialogue2022
   
Craftsmanship / Heritage
        D.10 Nuevos Rituales2018
        D.11 Migración2019



ILLUSTRATION / WRITING
        I.1 Inventariada2019
        I.2 Diarios Abiertos 12021
        I.3 Diarios Abiertos 22021
        I.4-D.2 Recipe book x Waste Care2021
        I.5-D.3 Storytelling x Recyclebar2021
        I.6-D.7 Essay x Traffic Lights (...)2021
        I.7-D8.I2 Booklet x C.C.C Cuisine2022
        I.8 Stories Around the Cabinet2023
       

SHOP - coming coon
(Ceramic) Objects
        O.1 Resistance Cup 1
        O.2 Resistance Cup 2
        O.3 Resistance Cup Maker
        O.4 Clay Smasher
        O.5 Resistance Cup Coffee table
        O.6 Resistance Cup pole
        O.7 Resistance Cabinet 1 
        O.8 Resistance Cabinet 2
        O.9 Resistance Tire Cutter
        O.10 Mix Cup 1

Prints
        P.1 The Workshop
        P.2 Is Every Object a Tool? 


        On Demand





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︎ ABOUT ME

︎PRESS KIT

︎CONTACT

︎INSTAGRAM








T&C　
All work produced by author unless otherwise specified.
Last update: Apr2024

I1. Inventaria-
da
IIllustration / Ceramics / Storytelling


Ceramics and Illustration Studio. @ Lima,  2019.


Through my own studio, I develop a personal methodology of working around material storytelling. I use clay and drawings as tools to express personal stories that turn into collective ones when shared.

Before moving to the Netherlands, I ran a webshop with existing prints and ceramic one-offs. I also received commissioned projects through social media platforms. In a way, it became my own way to pursue an industrial/product design career in Lima, a place with little room for creative design practices oriented to product-making. 

In my practice, clay is a tool to express and manifest social connections in the form of nostalgia, care and shared simple pleasures.



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Selected ceramic works can be found here:

WU Galeria, Jirón Sáenz Peña 129, Barranco 15063, Peru.

Magazine article on Souvenirs de Cuarentena: Espácio en Tránsito, Revista salvoconducto, Chile 2020 ︎HERE